Concert Review: John Wright Band on 20/10/2007 at the folk in the fire palace in Bad Honnef
John Wright Band on 20/10/2007 at the folk in the fire palace in Bad Honnef
since now (hopefully temporarily) went without a car Peter and I with the line 66 from Siegburg to Bad Honnef, what does an hour journey time, plus half an hour of waiting time when the train who wanted to say we had failed.
So we were quite happy when we clock by 20 Castle arrived at the fire that still seats were free, what the organizers were delighted of course, far less. Less than half of the foyer was full of fire castle, as John Wright, who was eleven years ago there already occurred. Some of Asterer has only been over 14 years, musicians, was in front of the shepherd Anglo-Scottish border, and before that soldier. Whether he in this decade already singing, is beyond me, but I suppose. A late appeal is so typically not out of the blue. His two companions Pete Abbot, also from Manchester, and Gregor Borland, originally from Edinburgh, now happily married in Spain have a lot younger and more likely early appointed a professional musician. These allowed three now a recital, where John sang only, so no instrument otherwise played, Pete guitar and Greg violin, guitar, mandolin and bass playing, and also sang the two producers who meet, usually in the background or a polyphony or harmony vocals , but sometimes independently, especially since both write in contrast to John also own songs. The repertoire came except by the two on a number of English, Irish, Scottish and American Songwriter, and John knew they provided not only with a strong voice, but also with all kinds Gestig to convey. Here and there reminded me of his facial expressions while on Helge Schneider, but he said, unlike serious that what he sang, even though he once said he would play the sad emotion of the song now, for he was indeed no longer really celebrated the bad situation. It was about people with non-small life problems, such as one who experienced the bombing of Manchester as a child and since suffering from severe anxiety, went it comes to unemployment, to heartbreak, but also about friendship and happiness. One or the other song was a bit syrupy, stirring and other stimulant. I felt sometimes Angelo Branduardi recalls. And painted on the two instrumentalists, reaffirmed the texts supported admirably, and in the end they also gave a rousing Reelset for the best. I am always amazed, dig up what musicians Jutta and her team, I am often surprised and go home a richer person, as on this evening.
It was the way since the spring of the first day that I was wearing the skirt too cold, but Gregory felt in his kilt temperature perfect. I had the jeans, though in the first Minutes of wearing felt like a tank, but would prefer, especially as the car that we wanted to take to clock 23.14, also failed and we had to wait half an hour. Mike sent me a link later by the General-Anzeiger, which stated, be it this Saturday, several riders suffering in the service and raise no substitute driver was. The people from the city of Bonn works themselves, however, it did not yet necessary to respond to my request in this regard. With customer service they do not have it so. The fire palace is reached in about 15 minutes walk from the bus stop at the top of Bach really good, but if the car is stationary, it can be a long ride to and from home.
Here is the link that Mike sent me:
http://www.general-anzeiger-bonn.de/index.php?k=news&itemid=10490&detailid=371446
John Wright Band:
http://www.johnwrightband.com/
folk in the fire palace:
http://www.folkimfeuerschloesschen.de.vu/
MAS
PS: I received from the public utility finally has a detailed Apology e-mail, which included the following information:
mobility guarantee
Punctuality Guarantee As of 1 January 2006 provides a new mobility guarantee the VRS that your target achieve even with delays as soon as possible. Did passengers so far as subsequent compensation a warranty ticket, will now be reimbursed up to a certain extent the costs for their onward journey by taxi or a supplementary charge long-distance train (IC / EC or ICE) was incurred sind.Grundsätzlich mobility can guarantee will be claimed, if the preferred means of transport more than 20 minutes later than indicated in the timetable of your place of departure leaves and parallel is no suitable alternative, the target on buses and trains to the VRS Rate to erreichen.Wichtig: The mobility guarantee applies only to delays that are clearly in responsibility of the Transport company are, such as malfunctions in vehicles or facilities. No claims for delays caused by force majeure, such as accidents, natural disasters, bomb threats, strikes etc.In what amount will be refunded? Anyone who owns a month or formula 9Ticket by subscription or a job ticket or ticket-XXL, receive a reimbursement of up to 30 €. Passengers who are traveling with other VRS tickets will be reimbursed the costs incurred up to 15 €. Who has taken because of the various VRS schemes driving other people on his ticket can also make them in a taxi or in an IC / EC or ICE train to take to continue. For use of such long-distance train need to purchase all persons have a valid ticket. The reimbursement is a maximum of 30 Euro.Und how it works: Send in your completed refund request and the taxi receipt or the IC / EC / ICE-Ticket (each as original) along with your VRS ticket (original or copy) within seven calendar days after the incident in an MCC or the administration of a VRS Undertaking Make sure they are please that the receipt of the taxi company has been issued in full, that is, or the exact time and Wegangabe.Nach positive test application, the appropriate refund by the relevant transport company paid into your account.
Saturday, October 20, 2007
Brent Corrigan And Brent Everett Streaming
Concert Review: John Wright Band on 20/10/2007 at the folk in the fire palace in Bad Honnef
John Wright Band on 20/10/2007 at the folk in the fire palace in Bad Honnef
since now (hopefully temporarily) went without a car Peter and I with the line 66 from Siegburg to Bad Honnef, what does an hour journey time, plus half an hour of waiting time when the train who wanted to say we had failed.
So we were quite happy when we clock by 20 Castle arrived at the fire that still seats were free, what the organizers were delighted of course, far less. Less than half of the foyer was full of fire castle, as John Wright, who was eleven years ago there already occurred. Some of Asterer has only been over 14 years, musicians, was in front of the shepherd Anglo-Scottish border, and before that soldier. Whether he in this decade already singing, is beyond me, but I suppose. A late appeal is so typically not out of the blue. His two companions Pete Abbot, also from Manchester, and Gregor Borland, originally from Edinburgh, now happily married in Spain have a lot younger and more likely early appointed a professional musician. These allowed three now a recital, where John sang only, so no instrument otherwise played, Pete guitar and Greg violin, guitar, mandolin and bass playing, and also sang the two producers who meet, usually in the background or a polyphony or harmony vocals , but sometimes independently, especially since both write in contrast to John also own songs. The repertoire came except by the two on a number of English, Irish, Scottish and American Songwriter, and John knew they provided not only with a strong voice, but also with all kinds Gestig to convey. Here and there reminded me of his facial expressions while on Helge Schneider, but he said, unlike serious that what he sang, even though he once said he would play the sad emotion of the song now, for he was indeed no longer really celebrated the bad situation. It was about people with non-small life problems, such as one who experienced the bombing of Manchester as a child and since suffering from severe anxiety, went it comes to unemployment, to heartbreak, but also about friendship and happiness. One or the other song was a bit syrupy, stirring and other stimulant. I felt sometimes Angelo Branduardi recalls. And painted on the two instrumentalists, reaffirmed the texts supported admirably, and in the end they also gave a rousing Reelset for the best. I am always amazed, dig up what musicians Jutta and her team, I am often surprised and go home a richer person, as on this evening.
It was the way since the spring of the first day that I was wearing the skirt too cold, but Gregory felt in his kilt temperature perfect. I had the jeans, though in the first Minutes of wearing felt like a tank, but would prefer, especially as the car that we wanted to take to clock 23.14, also failed and we had to wait half an hour. Mike sent me a link later by the General-Anzeiger, which stated, be it this Saturday, several riders suffering in the service and raise no substitute driver was. The people from the city of Bonn works themselves, however, it did not yet necessary to respond to my request in this regard. With customer service they do not have it so. The fire palace is reached in about 15 minutes walk from the bus stop at the top of Bach really good, but if the car is stationary, it can be a long ride to and from home.
Here is the link that Mike sent me:
http://www.general-anzeiger-bonn.de/index.php?k=news&itemid=10490&detailid=371446
John Wright Band:
http://www.johnwrightband.com/
folk in the fire palace:
http://www.folkimfeuerschloesschen.de.vu/
MAS
PS: I received from the public utility finally has a detailed Apology e-mail, which included the following information:
mobility guarantee
Punctuality Guarantee As of 1 January 2006 provides a new mobility guarantee the VRS that your target achieve even with delays as soon as possible. Did passengers so far as subsequent compensation a warranty ticket, will now be reimbursed up to a certain extent the costs for their onward journey by taxi or a supplementary charge long-distance train (IC / EC or ICE) was incurred sind.Grundsätzlich mobility can guarantee will be claimed, if the preferred means of transport more than 20 minutes later than indicated in the timetable of your place of departure leaves and parallel is no suitable alternative, the target on buses and trains to the VRS Rate to erreichen.Wichtig: The mobility guarantee applies only to delays that are clearly in responsibility of the Transport company are, such as malfunctions in vehicles or facilities. No claims for delays caused by force majeure, such as accidents, natural disasters, bomb threats, strikes etc.In what amount will be refunded? Anyone who owns a month or formula 9Ticket by subscription or a job ticket or ticket-XXL, receive a reimbursement of up to 30 €. Passengers who are traveling with other VRS tickets will be reimbursed the costs incurred up to 15 €. Who has taken because of the various VRS schemes driving other people on his ticket can also make them in a taxi or in an IC / EC or ICE train to take to continue. For use of such long-distance train need to purchase all persons have a valid ticket. The reimbursement is a maximum of 30 Euro.Und how it works: Send in your completed refund request and the taxi receipt or the IC / EC / ICE-Ticket (each as original) along with your VRS ticket (original or copy) within seven calendar days after the incident in an MCC or the administration of a VRS Undertaking Make sure they are please that the receipt of the taxi company has been issued in full, that is, or the exact time and Wegangabe.Nach positive test application, the appropriate refund by the relevant transport company paid into your account.
John Wright Band on 20/10/2007 at the folk in the fire palace in Bad Honnef
since now (hopefully temporarily) went without a car Peter and I with the line 66 from Siegburg to Bad Honnef, what does an hour journey time, plus half an hour of waiting time when the train who wanted to say we had failed.
So we were quite happy when we clock by 20 Castle arrived at the fire that still seats were free, what the organizers were delighted of course, far less. Less than half of the foyer was full of fire castle, as John Wright, who was eleven years ago there already occurred. Some of Asterer has only been over 14 years, musicians, was in front of the shepherd Anglo-Scottish border, and before that soldier. Whether he in this decade already singing, is beyond me, but I suppose. A late appeal is so typically not out of the blue. His two companions Pete Abbot, also from Manchester, and Gregor Borland, originally from Edinburgh, now happily married in Spain have a lot younger and more likely early appointed a professional musician. These allowed three now a recital, where John sang only, so no instrument otherwise played, Pete guitar and Greg violin, guitar, mandolin and bass playing, and also sang the two producers who meet, usually in the background or a polyphony or harmony vocals , but sometimes independently, especially since both write in contrast to John also own songs. The repertoire came except by the two on a number of English, Irish, Scottish and American Songwriter, and John knew they provided not only with a strong voice, but also with all kinds Gestig to convey. Here and there reminded me of his facial expressions while on Helge Schneider, but he said, unlike serious that what he sang, even though he once said he would play the sad emotion of the song now, for he was indeed no longer really celebrated the bad situation. It was about people with non-small life problems, such as one who experienced the bombing of Manchester as a child and since suffering from severe anxiety, went it comes to unemployment, to heartbreak, but also about friendship and happiness. One or the other song was a bit syrupy, stirring and other stimulant. I felt sometimes Angelo Branduardi recalls. And painted on the two instrumentalists, reaffirmed the texts supported admirably, and in the end they also gave a rousing Reelset for the best. I am always amazed, dig up what musicians Jutta and her team, I am often surprised and go home a richer person, as on this evening.
It was the way since the spring of the first day that I was wearing the skirt too cold, but Gregory felt in his kilt temperature perfect. I had the jeans, though in the first Minutes of wearing felt like a tank, but would prefer, especially as the car that we wanted to take to clock 23.14, also failed and we had to wait half an hour. Mike sent me a link later by the General-Anzeiger, which stated, be it this Saturday, several riders suffering in the service and raise no substitute driver was. The people from the city of Bonn works themselves, however, it did not yet necessary to respond to my request in this regard. With customer service they do not have it so. The fire palace is reached in about 15 minutes walk from the bus stop at the top of Bach really good, but if the car is stationary, it can be a long ride to and from home.
Here is the link that Mike sent me:
http://www.general-anzeiger-bonn.de/index.php?k=news&itemid=10490&detailid=371446
John Wright Band:
http://www.johnwrightband.com/
folk in the fire palace:
http://www.folkimfeuerschloesschen.de.vu/
MAS
PS: I received from the public utility finally has a detailed Apology e-mail, which included the following information:
mobility guarantee
Punctuality Guarantee As of 1 January 2006 provides a new mobility guarantee the VRS that your target achieve even with delays as soon as possible. Did passengers so far as subsequent compensation a warranty ticket, will now be reimbursed up to a certain extent the costs for their onward journey by taxi or a supplementary charge long-distance train (IC / EC or ICE) was incurred sind.Grundsätzlich mobility can guarantee will be claimed, if the preferred means of transport more than 20 minutes later than indicated in the timetable of your place of departure leaves and parallel is no suitable alternative, the target on buses and trains to the VRS Rate to erreichen.Wichtig: The mobility guarantee applies only to delays that are clearly in responsibility of the Transport company are, such as malfunctions in vehicles or facilities. No claims for delays caused by force majeure, such as accidents, natural disasters, bomb threats, strikes etc.In what amount will be refunded? Anyone who owns a month or formula 9Ticket by subscription or a job ticket or ticket-XXL, receive a reimbursement of up to 30 €. Passengers who are traveling with other VRS tickets will be reimbursed the costs incurred up to 15 €. Who has taken because of the various VRS schemes driving other people on his ticket can also make them in a taxi or in an IC / EC or ICE train to take to continue. For use of such long-distance train need to purchase all persons have a valid ticket. The reimbursement is a maximum of 30 Euro.Und how it works: Send in your completed refund request and the taxi receipt or the IC / EC / ICE-Ticket (each as original) along with your VRS ticket (original or copy) within seven calendar days after the incident in an MCC or the administration of a VRS Undertaking Make sure they are please that the receipt of the taxi company has been issued in full, that is, or the exact time and Wegangabe.Nach positive test application, the appropriate refund by the relevant transport company paid into your account.
Thursday, October 18, 2007
Buy Never Summer Ontario
CD reviews: Günter high belt. Dancing on the volcano
Günter high belt. Dancing on the volcano
AMA-Verlag, 2007; http://www.günter-hochguertel.de/ , http://www.wibbelstetz.de/
11 tracks, 44:59 by dt texts and information and photos
"Dance on the Volcano", the title fits Eifelrock and Wibbelstetz frontman Günter Hochgürtel as Maare in the Eifel, but no, this CD not songs contains north northern dialect, but eleven highly German songs. Already under the name "Troubadour" songs he was from outside the genre Wibbelsetz the best, including, but not only their own seals. But now he has written songs recorded Eleven, where he helped a gang of friends who are working together a full band sound, including even Jürgen Eder Scholars and Linus and John Kramer of Wibbelstetz Epremian Le Clou, but other, previously unknown to me. It sounds like Rhenish folk music to Cajun and country, to rock and pop, to jazz, to songs, even after hit, but not too much, as Gunter's voice is really good ingebettet and worn. And his lyrics are about human carelessness in dealing with nature (that is the content of the title song and just dance on the volcano), the devious brother, of the suddenly grown-up daughter, the parents' home towards Kappstadt leaves the fate of a prostitute, a grandfather inherited from the cigarette case and in many ways of pleasure and woe of the relations between men and women. All this is so peppy, dance or schunkelbar brought over, that you forget the seriousness of some texts sometimes. Apart from the Rhenish, French and American models Günters I come as a comparison musician John Denver and more Angelo Branduardi to mind. It is simply well-done art songwriter, not as cramped as some colleagues, the raised index finger is only the title song really much to notice, but each song has its own morality, which is placed discreetly over. The Who release party could not attend, as I did, which was established this CD to my heart.
are the musicians:
Juergen Schroeder: Drums
Thomas Wille: Tuba
Martin Salzwedel: Cello
John Epremian: Violin
Martin Frings: saxophone, clarinet
Linus Kramer: accordion
Robby Mildenberger: Guitar
the Gospel Choir of the Church Euskirchen
Track list:
first Dancing on the volcano
second Good thing you're there
third So what 4th of common
Let's go a bit
5th Wherever you are
6th The red heart in the camper
7th The cigar case of my grandfather
8th There are days
9th The wife of my best friend
10th Sunday morning 11th
I Like
Previous Rezis and other texts of Günter high belt of me
Wibbelstetz on 08/20/2005 in Nettersheim
site visit Article:
North Eifel vernacular scene. 20 years Wibbelstetz - Anniversary Concert, Nettersheim, 20.8.2005.
In: Folker! 06.2005, p. 72
CD: Günter high belt. Troubadour. Günter Hochgürtel sings his own songs and others.
http://folktreff-bonn-rhein-sieg-rezensionen.blogspot.com/2005/10/cd-rezension-gnter-hochgrtel.html or http://tinyurl.com/dsbzy
CD: Wibbelstetz. De Kopp fully Dröhm
http://folktreff-bonn-rhein-sieg-rezensionen.blogspot.com/2005/09/cd-rezension-wibbelstetz-de-kopp-voll.html or http://tinyurl.com/75mpc
MAS
Günter high belt. Dancing on the volcano
AMA-Verlag, 2007; http://www.günter-hochguertel.de/ , http://www.wibbelstetz.de/
11 tracks, 44:59 by dt texts and information and photos
"Dance on the Volcano", the title fits Eifelrock and Wibbelstetz frontman Günter Hochgürtel as Maare in the Eifel, but no, this CD not songs contains north northern dialect, but eleven highly German songs. Already under the name "Troubadour" songs he was from outside the genre Wibbelsetz the best, including, but not only their own seals. But now he has written songs recorded Eleven, where he helped a gang of friends who are working together a full band sound, including even Jürgen Eder Scholars and Linus and John Kramer of Wibbelstetz Epremian Le Clou, but other, previously unknown to me. It sounds like Rhenish folk music to Cajun and country, to rock and pop, to jazz, to songs, even after hit, but not too much, as Gunter's voice is really good ingebettet and worn. And his lyrics are about human carelessness in dealing with nature (that is the content of the title song and just dance on the volcano), the devious brother, of the suddenly grown-up daughter, the parents' home towards Kappstadt leaves the fate of a prostitute, a grandfather inherited from the cigarette case and in many ways of pleasure and woe of the relations between men and women. All this is so peppy, dance or schunkelbar brought over, that you forget the seriousness of some texts sometimes. Apart from the Rhenish, French and American models Günters I come as a comparison musician John Denver and more Angelo Branduardi to mind. It is simply well-done art songwriter, not as cramped as some colleagues, the raised index finger is only the title song really much to notice, but each song has its own morality, which is placed discreetly over. The Who release party could not attend, as I did, which was established this CD to my heart.
are the musicians:
Juergen Schroeder: Drums
Thomas Wille: Tuba
Martin Salzwedel: Cello
John Epremian: Violin
Martin Frings: saxophone, clarinet
Linus Kramer: accordion
Robby Mildenberger: Guitar
the Gospel Choir of the Church Euskirchen
Track list:
first Dancing on the volcano
second Good thing you're there
third So what 4th of common
Let's go a bit
5th Wherever you are
6th The red heart in the camper
7th The cigar case of my grandfather
8th There are days
9th The wife of my best friend
10th Sunday morning 11th
I Like
Previous Rezis and other texts of Günter high belt of me
Wibbelstetz on 08/20/2005 in Nettersheim
site visit Article:
North Eifel vernacular scene. 20 years Wibbelstetz - Anniversary Concert, Nettersheim, 20.8.2005.
In: Folker! 06.2005, p. 72
CD: Günter high belt. Troubadour. Günter Hochgürtel sings his own songs and others.
http://folktreff-bonn-rhein-sieg-rezensionen.blogspot.com/2005/10/cd-rezension-gnter-hochgrtel.html or http://tinyurl.com/dsbzy
CD: Wibbelstetz. De Kopp fully Dröhm
http://folktreff-bonn-rhein-sieg-rezensionen.blogspot.com/2005/09/cd-rezension-wibbelstetz-de-kopp-voll.html or http://tinyurl.com/75mpc
MAS
Buy Never Summer Ontario
CD reviews: Günter high belt. Dancing on the volcano
Günter high belt. Dancing on the volcano
AMA-Verlag, 2007; http://www.günter-hochguertel.de/ , http://www.wibbelstetz.de/
11 tracks, 44:59 by dt texts and information and photos
"Dance on the Volcano", the title fits Eifelrock and Wibbelstetz frontman Günter Hochgürtel as Maare in the Eifel, but no, this CD not songs contains north northern dialect, but eleven highly German songs. Already under the name "Troubadour" songs he was from outside the genre Wibbelsetz the best, including, but not only their own seals. But now he has written songs recorded Eleven, where he helped a gang of friends who are working together a full band sound, including even Jürgen Eder Scholars and Linus and John Kramer of Wibbelstetz Epremian Le Clou, but other, previously unknown to me. It sounds like Rhenish folk music to Cajun and country, to rock and pop, to jazz, to songs, even after hit, but not too much, as Gunter's voice is really good ingebettet and worn. And his lyrics are about human carelessness in dealing with nature (that is the content of the title song and just dance on the volcano), the devious brother, of the suddenly grown-up daughter, the parents' home towards Kappstadt leaves the fate of a prostitute, a grandfather inherited from the cigarette case and in many ways of pleasure and woe of the relations between men and women. All this is so peppy, dance or schunkelbar brought over, that you forget the seriousness of some texts sometimes. Apart from the Rhenish, French and American models Günters I come as a comparison musician John Denver and more Angelo Branduardi to mind. It is simply well-done art songwriter, not as cramped as some colleagues, the raised index finger is only the title song really much to notice, but each song has its own morality, which is placed discreetly over. The Who release party could not attend, as I did, which was established this CD to my heart.
are the musicians:
Juergen Schroeder: Drums
Thomas Wille: Tuba
Martin Salzwedel: Cello
John Epremian: Violin
Martin Frings: saxophone, clarinet
Linus Kramer: accordion
Robby Mildenberger: Guitar
the Gospel Choir of the Church Euskirchen
Track list:
first Dancing on the volcano
second Good thing you're there
third So what 4th of common
Let's go a bit
5th Wherever you are
6th The red heart in the camper
7th The cigar case of my grandfather
8th There are days
9th The wife of my best friend
10th Sunday morning 11th
I Like
Previous Rezis and other texts of Günter high belt of me
Wibbelstetz on 08/20/2005 in Nettersheim
site visit Article:
North Eifel vernacular scene. 20 years Wibbelstetz - Anniversary Concert, Nettersheim, 20.8.2005.
In: Folker! 06.2005, p. 72
CD: Günter high belt. Troubadour. Günter Hochgürtel sings his own songs and others.
http://folktreff-bonn-rhein-sieg-rezensionen.blogspot.com/2005/10/cd-rezension-gnter-hochgrtel.html or http://tinyurl.com/dsbzy
CD: Wibbelstetz. De Kopp fully Dröhm
http://folktreff-bonn-rhein-sieg-rezensionen.blogspot.com/2005/09/cd-rezension-wibbelstetz-de-kopp-voll.html or http://tinyurl.com/75mpc
MAS
Günter high belt. Dancing on the volcano
AMA-Verlag, 2007; http://www.günter-hochguertel.de/ , http://www.wibbelstetz.de/
11 tracks, 44:59 by dt texts and information and photos
"Dance on the Volcano", the title fits Eifelrock and Wibbelstetz frontman Günter Hochgürtel as Maare in the Eifel, but no, this CD not songs contains north northern dialect, but eleven highly German songs. Already under the name "Troubadour" songs he was from outside the genre Wibbelsetz the best, including, but not only their own seals. But now he has written songs recorded Eleven, where he helped a gang of friends who are working together a full band sound, including even Jürgen Eder Scholars and Linus and John Kramer of Wibbelstetz Epremian Le Clou, but other, previously unknown to me. It sounds like Rhenish folk music to Cajun and country, to rock and pop, to jazz, to songs, even after hit, but not too much, as Gunter's voice is really good ingebettet and worn. And his lyrics are about human carelessness in dealing with nature (that is the content of the title song and just dance on the volcano), the devious brother, of the suddenly grown-up daughter, the parents' home towards Kappstadt leaves the fate of a prostitute, a grandfather inherited from the cigarette case and in many ways of pleasure and woe of the relations between men and women. All this is so peppy, dance or schunkelbar brought over, that you forget the seriousness of some texts sometimes. Apart from the Rhenish, French and American models Günters I come as a comparison musician John Denver and more Angelo Branduardi to mind. It is simply well-done art songwriter, not as cramped as some colleagues, the raised index finger is only the title song really much to notice, but each song has its own morality, which is placed discreetly over. The Who release party could not attend, as I did, which was established this CD to my heart.
are the musicians:
Juergen Schroeder: Drums
Thomas Wille: Tuba
Martin Salzwedel: Cello
John Epremian: Violin
Martin Frings: saxophone, clarinet
Linus Kramer: accordion
Robby Mildenberger: Guitar
the Gospel Choir of the Church Euskirchen
Track list:
first Dancing on the volcano
second Good thing you're there
third So what 4th of common
Let's go a bit
5th Wherever you are
6th The red heart in the camper
7th The cigar case of my grandfather
8th There are days
9th The wife of my best friend
10th Sunday morning 11th
I Like
Previous Rezis and other texts of Günter high belt of me
Wibbelstetz on 08/20/2005 in Nettersheim
site visit Article:
North Eifel vernacular scene. 20 years Wibbelstetz - Anniversary Concert, Nettersheim, 20.8.2005.
In: Folker! 06.2005, p. 72
CD: Günter high belt. Troubadour. Günter Hochgürtel sings his own songs and others.
http://folktreff-bonn-rhein-sieg-rezensionen.blogspot.com/2005/10/cd-rezension-gnter-hochgrtel.html or http://tinyurl.com/dsbzy
CD: Wibbelstetz. De Kopp fully Dröhm
http://folktreff-bonn-rhein-sieg-rezensionen.blogspot.com/2005/09/cd-rezension-wibbelstetz-de-kopp-voll.html or http://tinyurl.com/75mpc
MAS
Tuesday, October 9, 2007
Nipples Sucking By Lips
Concert Review: Pure Irish Drops on 09/10/2007 in the bread factory in Bonn-Beuel
Pure Irish Drops on 10/09/2007 in the bread factory in Bonn-Beuel
Traditional Music of South Ulster in concert atmosphere
were Unlike in the previous three years, the Irish pure drop this year not on 8, but on 9 October in Bonn. Pure Irish Drops, which always promises a concert of traditional music, mainly instrumental, with each year has a different focus. This year's focus is regional, namely music from the Ulster region, which is partly in Northern Ireland and partly in the Republic of Ireland is. Despite these three musicians were of the border this year's Tour is a common musical tradition that is much older than the division of the country.
They entered the stage one after another in a way that the first first solo, then played a duet with the second, then played the solo, which he played a duet with the third party, the dan again appeared as a soloist, and then only played all three together. The first was Martin Quinn, a young bush with two button accordion, a Hohner from Germany, which has already seen more than his players for decades, but that was probably due to play a little Swedish, so he spent most time on a diatonic accordion played, as is customary in France. He added, replacing Gerry O'Connor, who contented himself with a violin, from which he all but hand-picked out. The third and oldest in the league then Gabriel McArdle, both a concertina, so the accordion, played and sang. And what they played and sang? There were jigs, reels, slip jigs, slides, polkas, airs and ballads sung, that is what is commonly of an Irish folk and Irish Traditional Concert expected, but so pure, so pure, so traditional, as it is rare today but heard and also in the repertoire Sun ulster-regional, that even I, who had heard many Irish, many of the tunes still do not know, although there were no new compositions, but of old traditional songs. Prince Florian, the organizers said, even it it was so given and other experienced musicians in the genre that they did not know that local music treasure, and were so surprised. One or the other but I was certainly known, but only little. Sure you can musical history find determines how old the pieces are, indeed, when the specific playing style was created, or, well, maybe but not because it is already operate field research, and must have the good fortune to meet with musicians, which can not only play and sing, but also the history of music . Know The three musicians on stage were able to say at least often, by whom the piece that they declared war just learned, but where the one who had it then?
The music of the evening you can hear in Ireland rather in private circles or in the pubs but the concert hall of the bread factory was ideally suited to her alone and concessive trated to hear. Does not fit the music was safe for people who like modern. One could say that the Paper Boys play at one end and the three musicians of this evening at two ends of a scale, which does not mean that they could not be otherwise. As much as I love modern, experimental ways of playing, so I enjoy these old music which themselves anything but earthy in the sense of crude and unsophisticated was. She was very delicate, very playful, albeit rather than polyphonic unison. The ballads zumeinst also followed a particular pattern of melody and beat, one was a singing of the jig. Without musicians such as these and without this, they bring on tour and on the stages of the world, Irish folk would get lost and lose its roots. listen to such a concert and myself as a musician to play such music in such a session, again grounded all the modern musician and mulitkultibeeinflussten. Folk music is the matter of survival, they will be folk music. Apart from such theoretical considerations was the concert was simply a treat, at least for me, but also for Ferdinand, who was with me there, Sabrina (violinist at Whisht!), Jonathan (Geiger offer Five Alive Oh) and Winnie (Concertinaspieler in the Fiddler's session), the also there were, and the applause to follow other well for the audience.
The restaurant in the bakery by the way new tenant who operated the now former UN cafeteria. The new place value to regional and organic products, so that for example, they now Neumarkter Lammbräu (not regional, but organic), and as before Malzmühle Kölsch (not organic, but local) on tap and gaff (ditto) and Heller Kölsch (ecological and regional) of the bottle, and Rothaus Tanenzäpfe (not yet). Sorry, but I was so not the Russian Baltika Stout, on which I had been looking forward and not a Polish Zyviec.
Music Office Florian Fürst:
http://www.ffmusik.de/
http://www.ffmusik.de/PIDinfo2007.htm
Gerry O'Connor:
http://www . gerryoconnor.net /
bread factory:
http://www.brotfabrik-bonn.de/
of Ulster:
http://de.wikipedia.org/wiki/Ulster
former Pure Irish Drops Rezis me:
Pure Irish Drops http://folktreff-bonn-rhein-sieg-rezensionen.blogspot.com/2004/10/konzertrezension-pure-irish-drops-am on 10/08/2004 in the bread factory in Bonn-Beuel
. html or http://tinyurl.com/acx5c
Pure Irish Drops on 10/08/2005 in the bread factory in Bonn-Beuel
http://folktreff-bonn-rhein-sieg-rezensionen.blogspot.com / 2005/10/konzertrezension-pure-irish-drops-in.html or http://tinyurl.com/csqne
Pure Irish Drops - Music from the Deise on 08/10/2006 in the bread factory in Bonn Beuel
http://folktreff-bonn-rhein-sieg-rezensionen.blogspot.com/2006/10/konzertrezension-pure-irish-drops.html
MAS
Pure Irish Drops on 10/09/2007 in the bread factory in Bonn-Beuel
Traditional Music of South Ulster in concert atmosphere
were Unlike in the previous three years, the Irish pure drop this year not on 8, but on 9 October in Bonn. Pure Irish Drops, which always promises a concert of traditional music, mainly instrumental, with each year has a different focus. This year's focus is regional, namely music from the Ulster region, which is partly in Northern Ireland and partly in the Republic of Ireland is. Despite these three musicians were of the border this year's Tour is a common musical tradition that is much older than the division of the country.
They entered the stage one after another in a way that the first first solo, then played a duet with the second, then played the solo, which he played a duet with the third party, the dan again appeared as a soloist, and then only played all three together. The first was Martin Quinn, a young bush with two button accordion, a Hohner from Germany, which has already seen more than his players for decades, but that was probably due to play a little Swedish, so he spent most time on a diatonic accordion played, as is customary in France. He added, replacing Gerry O'Connor, who contented himself with a violin, from which he all but hand-picked out. The third and oldest in the league then Gabriel McArdle, both a concertina, so the accordion, played and sang. And what they played and sang? There were jigs, reels, slip jigs, slides, polkas, airs and ballads sung, that is what is commonly of an Irish folk and Irish Traditional Concert expected, but so pure, so pure, so traditional, as it is rare today but heard and also in the repertoire Sun ulster-regional, that even I, who had heard many Irish, many of the tunes still do not know, although there were no new compositions, but of old traditional songs. Prince Florian, the organizers said, even it it was so given and other experienced musicians in the genre that they did not know that local music treasure, and were so surprised. One or the other but I was certainly known, but only little. Sure you can musical history find determines how old the pieces are, indeed, when the specific playing style was created, or, well, maybe but not because it is already operate field research, and must have the good fortune to meet with musicians, which can not only play and sing, but also the history of music . Know The three musicians on stage were able to say at least often, by whom the piece that they declared war just learned, but where the one who had it then?
The music of the evening you can hear in Ireland rather in private circles or in the pubs but the concert hall of the bread factory was ideally suited to her alone and concessive trated to hear. Does not fit the music was safe for people who like modern. One could say that the Paper Boys play at one end and the three musicians of this evening at two ends of a scale, which does not mean that they could not be otherwise. As much as I love modern, experimental ways of playing, so I enjoy these old music which themselves anything but earthy in the sense of crude and unsophisticated was. She was very delicate, very playful, albeit rather than polyphonic unison. The ballads zumeinst also followed a particular pattern of melody and beat, one was a singing of the jig. Without musicians such as these and without this, they bring on tour and on the stages of the world, Irish folk would get lost and lose its roots. listen to such a concert and myself as a musician to play such music in such a session, again grounded all the modern musician and mulitkultibeeinflussten. Folk music is the matter of survival, they will be folk music. Apart from such theoretical considerations was the concert was simply a treat, at least for me, but also for Ferdinand, who was with me there, Sabrina (violinist at Whisht!), Jonathan (Geiger offer Five Alive Oh) and Winnie (Concertinaspieler in the Fiddler's session), the also there were, and the applause to follow other well for the audience.
The restaurant in the bakery by the way new tenant who operated the now former UN cafeteria. The new place value to regional and organic products, so that for example, they now Neumarkter Lammbräu (not regional, but organic), and as before Malzmühle Kölsch (not organic, but local) on tap and gaff (ditto) and Heller Kölsch (ecological and regional) of the bottle, and Rothaus Tanenzäpfe (not yet). Sorry, but I was so not the Russian Baltika Stout, on which I had been looking forward and not a Polish Zyviec.
Music Office Florian Fürst:
http://www.ffmusik.de/
http://www.ffmusik.de/PIDinfo2007.htm
Gerry O'Connor:
http://www . gerryoconnor.net /
bread factory:
http://www.brotfabrik-bonn.de/
of Ulster:
http://de.wikipedia.org/wiki/Ulster
former Pure Irish Drops Rezis me:
Pure Irish Drops http://folktreff-bonn-rhein-sieg-rezensionen.blogspot.com/2004/10/konzertrezension-pure-irish-drops-am on 10/08/2004 in the bread factory in Bonn-Beuel
. html or http://tinyurl.com/acx5c
Pure Irish Drops on 10/08/2005 in the bread factory in Bonn-Beuel
http://folktreff-bonn-rhein-sieg-rezensionen.blogspot.com / 2005/10/konzertrezension-pure-irish-drops-in.html or http://tinyurl.com/csqne
Pure Irish Drops - Music from the Deise on 08/10/2006 in the bread factory in Bonn Beuel
http://folktreff-bonn-rhein-sieg-rezensionen.blogspot.com/2006/10/konzertrezension-pure-irish-drops.html
MAS
Nipples Sucking By Lips
Concert Review: Pure Irish Drops on 09/10/2007 in the bread factory in Bonn-Beuel
Pure Irish Drops on 10/09/2007 in the bread factory in Bonn-Beuel
Traditional Music of South Ulster in concert atmosphere
were Unlike in the previous three years, the Irish pure drop this year not on 8, but on 9 October in Bonn. Pure Irish Drops, which always promises a concert of traditional music, mainly instrumental, with each year has a different focus. This year's focus is regional, namely music from the Ulster region, which is partly in Northern Ireland and partly in the Republic of Ireland is. Despite these three musicians were of the border this year's Tour is a common musical tradition that is much older than the division of the country.
They entered the stage one after another in a way that the first first solo, then played a duet with the second, then played the solo, which he played a duet with the third party, the dan again appeared as a soloist, and then only played all three together. The first was Martin Quinn, a young bush with two button accordion, a Hohner from Germany, which has already seen more than his players for decades, but that was probably due to play a little Swedish, so he spent most time on a diatonic accordion played, as is customary in France. He added, replacing Gerry O'Connor, who contented himself with a violin, from which he all but hand-picked out. The third and oldest in the league then Gabriel McArdle, both a concertina, so the accordion, played and sang. And what they played and sang? There were jigs, reels, slip jigs, slides, polkas, airs and ballads sung, that is what is commonly of an Irish folk and Irish Traditional Concert expected, but so pure, so pure, so traditional, as it is rare today but heard and also in the repertoire Sun ulster-regional, that even I, who had heard many Irish, many of the tunes still do not know, although there were no new compositions, but of old traditional songs. Prince Florian, the organizers said, even it it was so given and other experienced musicians in the genre that they did not know that local music treasure, and were so surprised. One or the other but I was certainly known, but only little. Sure you can musical history find determines how old the pieces are, indeed, when the specific playing style was created, or, well, maybe but not because it is already operate field research, and must have the good fortune to meet with musicians, which can not only play and sing, but also the history of music . Know The three musicians on stage were able to say at least often, by whom the piece that they declared war just learned, but where the one who had it then?
The music of the evening you can hear in Ireland rather in private circles or in the pubs but the concert hall of the bread factory was ideally suited to her alone and concessive trated to hear. Does not fit the music was safe for people who like modern. One could say that the Paper Boys play at one end and the three musicians of this evening at two ends of a scale, which does not mean that they could not be otherwise. As much as I love modern, experimental ways of playing, so I enjoy these old music which themselves anything but earthy in the sense of crude and unsophisticated was. She was very delicate, very playful, albeit rather than polyphonic unison. The ballads zumeinst also followed a particular pattern of melody and beat, one was a singing of the jig. Without musicians such as these and without this, they bring on tour and on the stages of the world, Irish folk would get lost and lose its roots. listen to such a concert and myself as a musician to play such music in such a session, again grounded all the modern musician and mulitkultibeeinflussten. Folk music is the matter of survival, they will be folk music. Apart from such theoretical considerations was the concert was simply a treat, at least for me, but also for Ferdinand, who was with me there, Sabrina (violinist at Whisht!), Jonathan (Geiger offer Five Alive Oh) and Winnie (Concertinaspieler in the Fiddler's session), the also there were, and the applause to follow other well for the audience.
The restaurant in the bakery by the way new tenant who operated the now former UN cafeteria. The new place value to regional and organic products, so that for example, they now Neumarkter Lammbräu (not regional, but organic), and as before Malzmühle Kölsch (not organic, but local) on tap and gaff (ditto) and Heller Kölsch (ecological and regional) of the bottle, and Rothaus Tanenzäpfe (not yet). Sorry, but I was so not the Russian Baltika Stout, on which I had been looking forward and not a Polish Zyviec.
Music Office Florian Fürst:
http://www.ffmusik.de/
http://www.ffmusik.de/PIDinfo2007.htm
Gerry O'Connor:
http://www . gerryoconnor.net /
bread factory:
http://www.brotfabrik-bonn.de/
of Ulster:
http://de.wikipedia.org/wiki/Ulster
former Pure Irish Drops Rezis me:
Pure Irish Drops http://folktreff-bonn-rhein-sieg-rezensionen.blogspot.com/2004/10/konzertrezension-pure-irish-drops-am on 10/08/2004 in the bread factory in Bonn-Beuel
. html or http://tinyurl.com/acx5c
Pure Irish Drops on 10/08/2005 in the bread factory in Bonn-Beuel
http://folktreff-bonn-rhein-sieg-rezensionen.blogspot.com / 2005/10/konzertrezension-pure-irish-drops-in.html or http://tinyurl.com/csqne
Pure Irish Drops - Music from the Deise on 08/10/2006 in the bread factory in Bonn Beuel
http://folktreff-bonn-rhein-sieg-rezensionen.blogspot.com/2006/10/konzertrezension-pure-irish-drops.html
MAS
Pure Irish Drops on 10/09/2007 in the bread factory in Bonn-Beuel
Traditional Music of South Ulster in concert atmosphere
were Unlike in the previous three years, the Irish pure drop this year not on 8, but on 9 October in Bonn. Pure Irish Drops, which always promises a concert of traditional music, mainly instrumental, with each year has a different focus. This year's focus is regional, namely music from the Ulster region, which is partly in Northern Ireland and partly in the Republic of Ireland is. Despite these three musicians were of the border this year's Tour is a common musical tradition that is much older than the division of the country.
They entered the stage one after another in a way that the first first solo, then played a duet with the second, then played the solo, which he played a duet with the third party, the dan again appeared as a soloist, and then only played all three together. The first was Martin Quinn, a young bush with two button accordion, a Hohner from Germany, which has already seen more than his players for decades, but that was probably due to play a little Swedish, so he spent most time on a diatonic accordion played, as is customary in France. He added, replacing Gerry O'Connor, who contented himself with a violin, from which he all but hand-picked out. The third and oldest in the league then Gabriel McArdle, both a concertina, so the accordion, played and sang. And what they played and sang? There were jigs, reels, slip jigs, slides, polkas, airs and ballads sung, that is what is commonly of an Irish folk and Irish Traditional Concert expected, but so pure, so pure, so traditional, as it is rare today but heard and also in the repertoire Sun ulster-regional, that even I, who had heard many Irish, many of the tunes still do not know, although there were no new compositions, but of old traditional songs. Prince Florian, the organizers said, even it it was so given and other experienced musicians in the genre that they did not know that local music treasure, and were so surprised. One or the other but I was certainly known, but only little. Sure you can musical history find determines how old the pieces are, indeed, when the specific playing style was created, or, well, maybe but not because it is already operate field research, and must have the good fortune to meet with musicians, which can not only play and sing, but also the history of music . Know The three musicians on stage were able to say at least often, by whom the piece that they declared war just learned, but where the one who had it then?
The music of the evening you can hear in Ireland rather in private circles or in the pubs but the concert hall of the bread factory was ideally suited to her alone and concessive trated to hear. Does not fit the music was safe for people who like modern. One could say that the Paper Boys play at one end and the three musicians of this evening at two ends of a scale, which does not mean that they could not be otherwise. As much as I love modern, experimental ways of playing, so I enjoy these old music which themselves anything but earthy in the sense of crude and unsophisticated was. She was very delicate, very playful, albeit rather than polyphonic unison. The ballads zumeinst also followed a particular pattern of melody and beat, one was a singing of the jig. Without musicians such as these and without this, they bring on tour and on the stages of the world, Irish folk would get lost and lose its roots. listen to such a concert and myself as a musician to play such music in such a session, again grounded all the modern musician and mulitkultibeeinflussten. Folk music is the matter of survival, they will be folk music. Apart from such theoretical considerations was the concert was simply a treat, at least for me, but also for Ferdinand, who was with me there, Sabrina (violinist at Whisht!), Jonathan (Geiger offer Five Alive Oh) and Winnie (Concertinaspieler in the Fiddler's session), the also there were, and the applause to follow other well for the audience.
The restaurant in the bakery by the way new tenant who operated the now former UN cafeteria. The new place value to regional and organic products, so that for example, they now Neumarkter Lammbräu (not regional, but organic), and as before Malzmühle Kölsch (not organic, but local) on tap and gaff (ditto) and Heller Kölsch (ecological and regional) of the bottle, and Rothaus Tanenzäpfe (not yet). Sorry, but I was so not the Russian Baltika Stout, on which I had been looking forward and not a Polish Zyviec.
Music Office Florian Fürst:
http://www.ffmusik.de/
http://www.ffmusik.de/PIDinfo2007.htm
Gerry O'Connor:
http://www . gerryoconnor.net /
bread factory:
http://www.brotfabrik-bonn.de/
of Ulster:
http://de.wikipedia.org/wiki/Ulster
former Pure Irish Drops Rezis me:
Pure Irish Drops http://folktreff-bonn-rhein-sieg-rezensionen.blogspot.com/2004/10/konzertrezension-pure-irish-drops-am on 10/08/2004 in the bread factory in Bonn-Beuel
. html or http://tinyurl.com/acx5c
Pure Irish Drops on 10/08/2005 in the bread factory in Bonn-Beuel
http://folktreff-bonn-rhein-sieg-rezensionen.blogspot.com / 2005/10/konzertrezension-pure-irish-drops-in.html or http://tinyurl.com/csqne
Pure Irish Drops - Music from the Deise on 08/10/2006 in the bread factory in Bonn Beuel
http://folktreff-bonn-rhein-sieg-rezensionen.blogspot.com/2006/10/konzertrezension-pure-irish-drops.html
MAS
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