Prom Weekend Hamptons

concert reviews: Günter Hochgürtel on 23.02.2008 at Anno Tubac in Bonn

Günter high belt on 23.02.2008 in the Anno Tubac in Bonn

the Anno Tubac, I was not long, since our folk Bonn meeting was received only once, when the PS-guitar duo played there. And now a single man with voice and guitar, and harmonica, and two Guitars and two or three harmonicas. had songs on the guitar, then, as so often in folk meeting, often quite nice, but then we would not live Günter committed, then do not even know him yet. Meanwhile, I saw him a few times already heard, but not alone, but with his band Wibbelsetz, on their 20th anniversary in 2005, I also Folker! have reported. I was witness to his solo performances previously only had his two solo CDs, and now finally in the life of proppevollen Theatersäälchen Anno. Günter has been a fan ersungen audience, even if he is jealous of Jimmy Dean, the larger gets Sääle full and whose songs can all sing along. For is Günter newspaper journalist in Euskirchen. No one can do.

sing But it can also, and his repertoire is to say, wrote 80% of itself and partly on Ripuarian in north northern variant, partly in High German, the former language the songs of Wibbelstetz and the latter the one he just solo maintains as a troubadour. He also sings songs from his American and French idol Bob Dylan, George Moustaki and George Brassens in their original language and the Australian songwriter Eric Bogle in German translation by Hannes Wader, which he claims to be closer than Reinhard May, with him but many compare, although he does not like that, and still singing He this evening, a song of the great master. Well, who has claimed that Günter is without contradictions? Not me! I prefer to compare him with John Denver and Angelo Branduardi. And of course you can compare it with the musicians of Kölsch bands, with the heights and the Black Fööss, that he is good friends. Like them, he is also very popular, but are not popular, oh what is "popular"?, He is a man of the people, a country boy, just from the Eifel, strictly raised Catholic, by which he suffered today seems de Kopp Dröhm fully, constantly traveling on the red Jibbelchen, the guitar on his back, with the Himbeermarmelaad smeared baguette on the luggage rack, revolution in mind, but the daughter who left the house in the direction Kapstatt, heart, and wondering how fast time flies and children grow up, and the world but always the same remains so that all are worth significantly raised index finger, but one of the world-improving messages rather casually at the bar in one, over brings two beers or just in the hall of the Anno Tubac.

the way, who I had not been long in Anno, should be careful in passing stools. The gender are privy to a renovation that is reversed: for female left, male on the right.

Günter High belt:
http://www.guenter.hochgürtel.de/
Wibbelstetz:
http://www.wibbelstetz.de/

Anno Tubac:
http://www.anno-tubac. de /

Previous articles from me Günter Hochgürtel:
Wibbelstetz on 20/08/2005 in Nettersheim
site visit Article:
North Eifel vernacular scene. 20 years Wibbelstetz - Anniversary Concert, Nettersheim, 20.8.2005.
In: Folker! 06.2005, p. 72
CD: Günter high belt. Troubadour. Günter Hochgürtel sings his own songs and others.
http://folktreff-bonn-rhein-sieg-rezensionen.blogspot.com/2005/10/cd-rezension-gnter-hochgrtel.html or http://tinyurl.com/dsbzy
CD: Wibbelstetz. De Kopp fully Dröhm
http://folktreff-bonn-rhein-sieg-rezensionen.blogspot.com/2005/09/cd-rezension-wibbelstetz-de-kopp-voll.html or http://tinyurl .com/75mpc
CD: Günter high belt. Dancing on the volcano
http://folktreff-bonn-rhein-sieg-rezensionen.blogspot.com/2007/10/cd-reznsion-gnter-hochgrtel-tanz-auf.html
or http:// tinyurl.com/2n6x6z

MAS

Prom Weekend Hamptons

concert reviews: Günter Hochgürtel on 23.02.2008 at Anno Tubac in Bonn

Günter high belt on 23.02.2008 in the Anno Tubac in Bonn

the Anno Tubac, I was not long, since our folk Bonn meeting was received only once, when the PS-guitar duo played there. And now a single man with voice and guitar, and harmonica, and two Guitars and two or three harmonicas. had songs on the guitar, then, as so often in folk meeting, often quite nice, but then we would not live Günter committed, then do not even know him yet. Meanwhile, I saw him a few times already heard, but not alone, but with his band Wibbelsetz, on their 20th anniversary in 2005, I also Folker! have reported. I was witness to his solo performances previously only had his two solo CDs, and now finally in the life of proppevollen Theatersäälchen Anno. Günter has been a fan ersungen audience, even if he is jealous of Jimmy Dean, the larger gets Sääle full and whose songs can all sing along. For is Günter newspaper journalist in Euskirchen. No one can do.

sing But it can also, and his repertoire is to say, wrote 80% of itself and partly on Ripuarian in north northern variant, partly in High German, the former language the songs of Wibbelstetz and the latter the one he just solo maintains as a troubadour. He also sings songs from his American and French idol Bob Dylan, George Moustaki and George Brassens in their original language and the Australian songwriter Eric Bogle in German translation by Hannes Wader, which he claims to be closer than Reinhard May, with him but many compare, although he does not like that, and still singing He this evening, a song of the great master. Well, who has claimed that Günter is without contradictions? Not me! I prefer to compare him with John Denver and Angelo Branduardi. And of course you can compare it with the musicians of Kölsch bands, with the heights and the Black Fööss, that he is good friends. Like them, he is also very popular, but are not popular, oh what is "popular"?, He is a man of the people, a country boy, just from the Eifel, strictly raised Catholic, by which he suffered today seems de Kopp Dröhm fully, constantly traveling on the red Jibbelchen, the guitar on his back, with the Himbeermarmelaad smeared baguette on the luggage rack, revolution in mind, but the daughter who left the house in the direction Kapstatt, heart, and wondering how fast time flies and children grow up, and the world but always the same remains so that all are worth significantly raised index finger, but one of the world-improving messages rather casually at the bar in one, over brings two beers or just in the hall of the Anno Tubac.

the way, who I had not been long in Anno, should be careful in passing stools. The gender are privy to a renovation that is reversed: for female left, male on the right.

Günter High belt:
http://www.guenter.hochgürtel.de/
Wibbelstetz:
http://www.wibbelstetz.de/

Anno Tubac:
http://www.anno-tubac. de /

Previous articles from me Günter Hochgürtel:
Wibbelstetz on 20/08/2005 in Nettersheim
site visit Article:
North Eifel vernacular scene. 20 years Wibbelstetz - Anniversary Concert, Nettersheim, 20.8.2005.
In: Folker! 06.2005, p. 72
CD: Günter high belt. Troubadour. Günter Hochgürtel sings his own songs and others.
http://folktreff-bonn-rhein-sieg-rezensionen.blogspot.com/2005/10/cd-rezension-gnter-hochgrtel.html or http://tinyurl.com/dsbzy
CD: Wibbelstetz. De Kopp fully Dröhm
http://folktreff-bonn-rhein-sieg-rezensionen.blogspot.com/2005/09/cd-rezension-wibbelstetz-de-kopp-voll.html or http://tinyurl .com/75mpc
CD: Günter high belt. Dancing on the volcano
http://folktreff-bonn-rhein-sieg-rezensionen.blogspot.com/2007/10/cd-reznsion-gnter-hochgrtel-tanz-auf.html
or http:// tinyurl.com/2n6x6z

MAS

In What Ways Did The African Americans Shaped The

Concert review: Carlos Núñez & Band am 02.20.2008 in Bonn in harmony-Endenich

Carlos Núñez & Band am 02.20.2008 in Bonn in harmony-Endenich

"We sspielen keltisse music with passion juice "Carlos had announced at IFF 2004 in the Cologne Philharmonie, the music of his combo. And we, eg Näx, Nicole and I were at that time was not so thrilled to us by way of carnival arrived a few, especially the loud drums, his brother Xurxo, but also the way he played his Gaita. I have it on a DVD of the Festival Interceltique in Lorient / BZH, where he and his band had in the huge stadium as small as dwarves, and they had trouble following the joint appearance of several pipe bands and Bagad from Brittany, Scotland and Ireland to keep the mood. In 1994, I had heard it before, as a guest musician with the Chiefains in Bonner Bridge Forum and was quite excited at that time, so I gladly gave him a chance again to convince me.

He started gently, with a flute, a long, slow, worn piece. Gradually entered his fellow musicians on stage: The flamenco guitarist Victor Romero, Bouzoukispieler Pancho Álvarez, Irish fiddler and Concertinaspielerin Niamh Ní Charra and Carlos' brother, who took on various drums, Bhodhrán, Cajon and a van back to the percussion, and Carlos moved between various six-and achtlöchrigen wood flutes and his Gaita back and forth. And this band had the knack of how to put the harmony to cook! It was not a purely Galician Evening, but rather something like a Celtic-dominated world music concert, which spanned many bridges, from flamenco to the Muñeira the reel and the An Dro, Andalusia and Galicia to Ireland and Scotland to Brittany and then sometimes fast across the Atlantic to Cuba so that the tour name "Celtic Flamenco Tour" is even more short-sighted. And then they played even a piece of a supposedly (?) English classic of Celtic instruments we (Ellen Jeikner, Christa Klose and me, we just agreed it) as we know from the Irish sessions identified if we are also the name not occurred.

In short, the concert was not for Purists, not English, Galician, Irish or otherwise of an ethnically defined music. This may criticize you if you like, but it was folk, from the best. This went into the ears and legs, and when we danced an An Dro, the Mattes Klose still did not know, we were also happy that the harmony was only filled with about 200 people, because it would not have even closer should be, even if packages, the organizers lamented something. But as I wrote then Ralf Wacker, "Who has not seen this show has only himself to blame!"

His enthusiasm did well, therefore, that after I had him with the harp player Jochen Vogel, made known, which in turn the Carlos knew all the folk present Bonner cronies disappeared with just that on a glass of wine in the dressing room, but me, I go and still unmarried as true caring husband was already on the way home. As Petra says: Concerts in the middle of the week are what freelancers and students. Too bad!

Carlos Núñez:
http://www.carlosnunez.com
http://www.magnetic-music.de/artists/pdf/carlos-nunez.pdf Niamh Ní Charra

:
http : / / www.niamhnicharra.com/

harmony
http://www.harmonie-bonn.de/

Walter Schnabel during the concert fotografiert:
http://www.harmonie-bonn.de/historic_events.asp?modus=details&id_veranstaltung=1475&monat=2&jahr=2008
bzw. http://tinyurl.com/2ry6or
(auf dem 31. Foto sind wir beim An Dro zu sehen)


Eine frühere Rezi von mir zu Carlos Núñez:
The Irish Folk Festival 04 – Celtic Legends am 25.10.2004 in der Philharmonie in Köln
http://folktreff-bonn-rhein-sieg-rezensionen.blogspot.com/2004/10/konzertrezension-irish-folk-festival.html bzw. http://tinyurl.com/dzpjs

Und eine zu Jochen Vogel, falls den wer nicht kennt:
Jochen Vogel among others by 17.12.2004 at a Christmas party in Bonn
http://folktreff-bonn-rhein-sieg-rezensionen.blogspot.com/2004/12/konzertrezension-jochen-vogel-ua-am.html or http://tinyurl.com/7ts52
On Rezis to Matt, Christa, Ralf, Ellen, and Keth and Andrea, who were also there, I m not now need to link to, and not to Rezis to Sabrina and Ralf Wolf Garten, who had preferred to go to the session. (Self to blame!)

MAS

In What Ways Did The African Americans Shaped The

Concert review: Carlos Núñez & Band am 02.20.2008 in Bonn in harmony-Endenich

Carlos Núñez & Band am 02.20.2008 in Bonn in harmony-Endenich

"We sspielen keltisse music with passion juice "Carlos had announced at IFF 2004 in the Cologne Philharmonie, the music of his combo. And we, eg Näx, Nicole and I were at that time was not so thrilled to us by way of carnival arrived a few, especially the loud drums, his brother Xurxo, but also the way he played his Gaita. I have it on a DVD of the Festival Interceltique in Lorient / BZH, where he and his band had in the huge stadium as small as dwarves, and they had trouble following the joint appearance of several pipe bands and Bagad from Brittany, Scotland and Ireland to keep the mood. In 1994, I had heard it before, as a guest musician with the Chiefains in Bonner Bridge Forum and was quite excited at that time, so I gladly gave him a chance again to convince me.

He started gently, with a flute, a long, slow, worn piece. Gradually entered his fellow musicians on stage: The flamenco guitarist Victor Romero, Bouzoukispieler Pancho Álvarez, Irish fiddler and Concertinaspielerin Niamh Ní Charra and Carlos' brother, who took on various drums, Bhodhrán, Cajon and a van back to the percussion, and Carlos moved between various six-and achtlöchrigen wood flutes and his Gaita back and forth. And this band had the knack of how to put the harmony to cook! It was not a purely Galician Evening, but rather something like a Celtic-dominated world music concert, which spanned many bridges, from flamenco to the Muñeira the reel and the An Dro, Andalusia and Galicia to Ireland and Scotland to Brittany and then sometimes fast across the Atlantic to Cuba so that the tour name "Celtic Flamenco Tour" is even more short-sighted. And then they played even a piece of a supposedly (?) English classic of Celtic instruments we (Ellen Jeikner, Christa Klose and me, we just agreed it) as we know from the Irish sessions identified if we are also the name not occurred.

In short, the concert was not for Purists, not English, Galician, Irish or otherwise of an ethnically defined music. This may criticize you if you like, but it was folk, from the best. This went into the ears and legs, and when we danced an An Dro, the Mattes Klose still did not know, we were also happy that the harmony was only filled with about 200 people, because it would not have even closer should be, even if packages, the organizers lamented something. But as I wrote then Ralf Wacker, "Who has not seen this show has only himself to blame!"

His enthusiasm did well, therefore, that after I had him with the harp player Jochen Vogel, made known, which in turn the Carlos knew all the folk present Bonner cronies disappeared with just that on a glass of wine in the dressing room, but me, I go and still unmarried as true caring husband was already on the way home. As Petra says: Concerts in the middle of the week are what freelancers and students. Too bad!

Carlos Núñez:
http://www.carlosnunez.com
http://www.magnetic-music.de/artists/pdf/carlos-nunez.pdf Niamh Ní Charra

:
http : / / www.niamhnicharra.com/

harmony
http://www.harmonie-bonn.de/

Walter Schnabel during the concert fotografiert:
http://www.harmonie-bonn.de/historic_events.asp?modus=details&id_veranstaltung=1475&monat=2&jahr=2008
bzw. http://tinyurl.com/2ry6or
(auf dem 31. Foto sind wir beim An Dro zu sehen)


Eine frühere Rezi von mir zu Carlos Núñez:
The Irish Folk Festival 04 – Celtic Legends am 25.10.2004 in der Philharmonie in Köln
http://folktreff-bonn-rhein-sieg-rezensionen.blogspot.com/2004/10/konzertrezension-irish-folk-festival.html bzw. http://tinyurl.com/dzpjs

Und eine zu Jochen Vogel, falls den wer nicht kennt:
Jochen Vogel among others by 17.12.2004 at a Christmas party in Bonn
http://folktreff-bonn-rhein-sieg-rezensionen.blogspot.com/2004/12/konzertrezension-jochen-vogel-ua-am.html or http://tinyurl.com/7ts52
On Rezis to Matt, Christa, Ralf, Ellen, and Keth and Andrea, who were also there, I m not now need to link to, and not to Rezis to Sabrina and Ralf Wolf Garten, who had preferred to go to the session. (Self to blame!)

MAS

M.o.h Model Question Papers For Dentists

Concert Review: Pete Morton on 15.2.2008 at the folk in the fire palace in Bad Honnef

Pete Morton on 15.2.2008 at the folk in the fire palace in Bad Honnef

This time it was not so full of fire in the lodge as Jelem Romale, either in the public space, nor on the stage. On the latter played only one musician, the program of the evening, and this one was armed not only with his voice only with an instrument. Guess what? Yes, with a guitar, and although it is known, at least with these musicians as a bandleader, namely, Urban Folk, a group with which I him so heard about 1990 times in Sohren in the Hunsrück Highland Games, which he himself, when I asked him, did not initially recalled: "Highland Games in Scotland like? Oh, that was not me. "Oh, yes, in the order between Muldahaaf and the Tannahill Weavers in a large hall with poor acoustics, after afternoon berockte Hunsrück village teams were lined up against each other, with musical accompaniment by the Hunsbuckel Back Pipers. "Oh yes, I remember!"

But that night he was alone, and his harmonica, he had also not there. Nevertheless, this was anything but a boring evening with folk 08/15-Liedern the guitar, but there could be a first-class singer / songwriter hosts mery from old England, more experience from Nottinghamshire. Among the many songs by him I was due to a similar experience, especially close to one in which he told of a gorilla at the zoo, who could communicate so well with people, but then died advanced in years, and a large Mourners left, most of which even Pete. It reminded me of an experience with an orang utan in the Munich Zoo, with whom I communicated through the glass, as we both put our hands together, and only the stupid disc separated us.
Pete tried then in two German songs, "Datt du min Leevchen up" on sheet Dütsch, which, as he said, the English was very close, and a song by Jimmy Dean, I still do not know. He asked us to sing along on yet, not in German but in English: "But the best is, when we sing together" or something like that. Yes Sir!

Pete Morton:
http://www.petemorton.com/

FiF - Folk in your castle:
http://www.folkimfeuerschloesschen.de.vu/

MAS

M.o.h Model Question Papers For Dentists

Concert Review: Pete Morton on 15.2.2008 at the folk in the fire palace in Bad Honnef

Pete Morton on 15.2.2008 at the folk in the fire palace in Bad Honnef

This time it was not so full of fire in the lodge as Jelem Romale, either in the public space, nor on the stage. On the latter played only one musician, the program of the evening, and this one was armed not only with his voice only with an instrument. Guess what? Yes, with a guitar, and although it is known, at least with these musicians as a bandleader, namely, Urban Folk, a group with which I him so heard about 1990 times in Sohren in the Hunsrück Highland Games, which he himself, when I asked him, did not initially recalled: "Highland Games in Scotland like? Oh, that was not me. "Oh, yes, in the order between Muldahaaf and the Tannahill Weavers in a large hall with poor acoustics, after afternoon berockte Hunsrück village teams were lined up against each other, with musical accompaniment by the Hunsbuckel Back Pipers. "Oh yes, I remember!"

But that night he was alone, and his harmonica, he had also not there. Nevertheless, this was anything but a boring evening with folk 08/15-Liedern the guitar, but there could be a first-class singer / songwriter hosts mery from old England, more experience from Nottinghamshire. Among the many songs by him I was due to a similar experience, especially close to one in which he told of a gorilla at the zoo, who could communicate so well with people, but then died advanced in years, and a large Mourners left, most of which even Pete. It reminded me of an experience with an orang utan in the Munich Zoo, with whom I communicated through the glass, as we both put our hands together, and only the stupid disc separated us.
Pete tried then in two German songs, "Datt du min Leevchen up" on sheet Dütsch, which, as he said, the English was very close, and a song by Jimmy Dean, I still do not know. He asked us to sing along on yet, not in German but in English: "But the best is, when we sing together" or something like that. Yes Sir!

Pete Morton:
http://www.petemorton.com/

FiF - Folk in your castle:
http://www.folkimfeuerschloesschen.de.vu/

MAS